*thud*

the other day, my fiancée celia said she was surprised that i hadn’t been writing anything about what she’s been working on. the biggest reason is just that i’m not sure how much i can say — she always obfuscates things and i wouldn’t want to screw things up by saying the wrong thing about the wrong person.

early in the whole writing process of her current project, about the time we were getting our engagement party together, i was fixing some rice krispie treats in the kitchen area of my old loft. i heard this thud which sounded exactly like a body falling on concrete. when i turned around, i saw she was sprawled out on the floor. my first thought is that it was a very odd pratfall, but once i got over to make sure she was okay and it was clear she had fainted, it became a lot less funny.

she has been fine since then, even through six more months of rewrites. and now she is once again close to the finish line (and it looks like it might not move once she reaches it this time) — until it moves on to the next stage and there are more rewrites.

i read most of the iterations of the script, except for the last few. it is interesting to see the process, and to see how it compares and contrasts with the types of projects i’ve done. unsurprisingly, i guess, you see the same sorts of dysfunctions (problems with decision making, shifting deadlines, communication breakdowns, etc).

she has been off at dov s-s simens two-day film school this weekend, and then it’s time for one more round of script polishing before it goes out to be read by important people.

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